“To Pay the Debt”


LOCATION: Alabama; Texas
PERIOD: 1955-2015
DRAMATIS PERSONAE: Frank Roy “Th’ Cunn’l” Cooper (1823-1865); Luther “Luth” Cooper (1827-1876); Charles “Charlie” Cooper  (1918-2015); Lucas Keith Cooper (1897-1965); Luther “Sonny Boy” Cooper (1925-1965); Henry Barbour (1848-1924); Charles Thomas Barbour (1933-1955).


Charles “Charlie” Cooper  (1918-2013) was the oldest remaining link to a Cooper family dispute tht had raged for 100 years.  The patriarch of the family was Frank Roy “Th’ Cunn’l” Cooper (1823-1865), who fought and died in the Civil War.  He’d owned a slave, Henry Barbour (1848-1924), who was treated not as a slave but as Frank Cooper’s partner and trusted aide.  Cooper was an engineer, architect, and builder and Henry served as his construction foreman, overseeing all the work.

Frank Cooper was killed in the last battle of the war on April 14, 1865, a week after Lee surrendered at Appomattox, however word had not gotten to the western theater and fighting had continued. After Frank’s death, Henry managed the plantation, the various businesses, and supported Frank’s widow until she died.  Henry Barbour also erected a memorial gravestone, with the inscription “placed in lasting remembrance of the love and gratitude he felt for his lost friend and former master.”

Frank Cooper had a half brother, same father – different mother, Luther “Luth” Cooper (1827-1876).  Luth was nothing like Frank: intolerant, angry, resentful, and a racist – essentially the opposite of Frank Cooper.  Three generations later, Luther’s toxic line of the Cooper family would produce Luther “Sonny Boy” Cooper (1925-1965) who would unwittingly be among the mob that lynched Henry Barbour’s great-grandson, Charles Thomas Barbour (1933-1955) on the night of July 10, 1955.

A decade later, 100 years to the day that Frank Cooper died in the last battle of the Civil war, Lucas Cooper, who knew the whole history of the Barbour family and their importance to the Coopers, fought and killed Sonny Cooper, his cousin, as well as dying himself in the struggle.


TO PAY THE DEBT
(F. D. Leone, Jr.)

“I’m old and ornery, got a lot to say;
Be ninety-seven on my next birthday.
Went to prison, twenty-five to life;
Sheriff claimed I shot my wife.”

“After forty I was paroled,
By then I was seventy years old.
That’s when I chose to make my exit,
Left Alabama for West Texas.”

“Frank & Luther Cooper were half brothers,
But were nothing like each other.
Frank, The Cunn’l, was Luther’s opposite;
Luther resentful, The Cunn’l tolerant.”

“Henry Barbour was Cunn’l Cooper’s slave;
Cunn’l treated Henry equal all his days.
My daddy Lucas knew the good Henry done;
And how a Cooper killed his great-grandson.”

The cards have been dealt,
The devil took the bet;
It’s way too late today …
To pay the debt.

“Luth’s great-grandson Sonny was no good;
Ran around in a sheet and hood.
I’m going back to 1955,
That July night Charlie Barbour died.”

“He was lynched by the Klan,
Just because he was a black man.
My cousin Sonny drank whiskey to forget;
Some secrets can’t be kept.”

“Daddy swore to avenge Charlie’s death,
And he did when he got the chance.
He met Sonny on the 14th Street bridge;
Daddy was both jury and judge.”

“They fought and both tumbled down,
Into rushing water muddy brown.
Two Coopers lived; two Coopers died;
April 14, 1965.”

The cards have been dealt,
The devil took the bet;
It’s way too late today …
To pay the debt.

© 2025 Frank David Leone, Jr./Highway 80 Music (ASCAP). The songs and stories on the Highway 80 Stories website are works of fiction. Names, characters, businesses, places, events, locales, and incidents are either the products of the author’s imagination or used in a fictitious manner. Any resemblance to actual persons, living or dead, or actual events is purely coincidental.

“Jay Cowan Comes of Age”


LOCATION: Longview, Texas
PERIOD: 1974-2025
DRAMATIS PERSONAE: Jasper “Jay” Cowan (1974); Jasper Cowan (1937-2025); Amy Casper (1928-1951); Casper “Cap” Cowan (1951-1988); Hugh Cowan (1925-2001).


Jasper “Jay” Cowan (1974) was haunted his entire life by two things: his father’s suicide and the information told to him by his namesake Jasper Cowan (1937-2025).

Casper Cowan’s mother, Amy Casper (1928-1951), died giving birth to him, causing his father, Hugh Cowan (1925-2001), to resent the innocent child and treat him in monstrous fashion his entire life.  Hugh’s youngest brother, Jasper Cowan (1937-2025), who is Jay Cowan’s namesake and at whose funeral the song begins, recounts the series of events which led to Casper’s suicide.

Jasper witnessed his brother’s abuse of his nephew, culminating with Casper being sent to a sanitarium for alcoholism and given electroshock therapy, which left him mentally unstable, and even worse off than he was as a mere alcoholic.

Eventually, after years of hallucinations and other forms of mental dementia, Casper committed suicide.

Casper’s son, named for his favorite uncle Jasper, is told most of this by his great-uncle the same day of his father’s funeral.  The memory of that funeral came back to Jay at this great-uncle’s funeral and burial.


JAY COWAN COMES OF AGE
(F. D. Leone, Jr.)

We buried Jasper Cowan,
My great-uncle and namesake.
He lived a long good life,
Died in his sleep, at ninety-eight.
I thought of the day,
My daddy was laid in the ground.
Uncle Jasper came around,
And just started talking.
 
“My brother blamed your father,
For your grandma’s death in childbirth,
He never let up on the boy;
Cap got involved with the church.
Your grandpa made fun of him,
His crucifix and rosary beads;
Called him a little prissy priest,
My brother could be a sumbitch.”
 
“He basically disowned his son;
Those doctors he sent Cap to,
Let him deny what he was doing;
It was torture what they put Cap through.
He wasn’t the same after that,
Cap had always been soft,
After those treatments, just lost;
Then we lost him completely.”

“Your father left a note;
I picked it up and put it in my pocket.
The sheriff wouldn’t approve,
But I didn’t want your mama to see it.
It was a lot of Catholic nonsense:
Martyrs and saints,
There was even snakes;
I thought it best to just take it.”
 
I’ve been going to my daddy’s grave,
Spending time with him.
As far as the Cowan’s?
Well, I want nothing to do with them.
But, I’ll visit Uncle Jasper’s too,
And just stand there with them;
I’ll never forget ’em,
Then get busy livin’, not dyin’.

© 2025 Frank David Leone, Jr./Highway 80 Music (ASCAP). The songs and stories on the Highway 80 Stories website are works of fiction. Names, characters, businesses, places, events, locales, and incidents are either the products of the author’s imagination or used in a fictitious manner. Any resemblance to actual persons, living or dead, or actual events is purely coincidental.