“Dirty Dog World”


LOCATION: East Texas; Shreveport, Louisiana
PERIOD: 1815-1889
DRAMATIS PERSONAE: Earland McLemore (1816-ca. 1861); Leeland McLemore (1816-1889); Owen McLemore (1791-1868); Doak Walker (1820-1905).


Earland McLemore (1816-1864) and Leeland McLemore (1816-1889) were twins, tow of seven sons of Owen McLemore (1791-1868) and Anabel March (1796-1832) who died in childbirth with the youngest son at age 36.

Earl was one minute older than Lee and lorded this over his very slightly younger brother. This was the start of intense jealousy on the part of Lee, who as the song begins, fantasizes about killing his twin brother.

Although they look identical, it was not hard to tell them apart since their personalities were opposite: Earl out-going, charismatic, and with many friends; Lee moody, stand-offish, and a loner.

While Earl mixed well with other men, he didn’t always display good judgment being too quick to trust someone and become the best of friends and even going into business with a man he hardly knew.  This is what happened when Doak Walker (1820-1905) came to Texas to collect a string of ponies to sell to the Confederate army in 1861.

While Earl joined up with Walker with no hesitation, Lee was skeptical and watched from the sidelines, a position he was comfortable taking since it had been his habit from the time he was a small boy.  Some how, at some point, the partnership went sour, and it was assumed that Doak Walker killed Earl McLemore, although there was no actual proof.  Earl’s body was not found until near the end of the war in 1864.

In 1889, his approaching last days, Lee told the story, if he is to be believed, how Doak Walker murdered his brother. Lee, who had fantasized about that very thing since he was a young boy, admitted to nothing, leaving judgment in the hands of a Higher Authority.


DIRTY DOG WORLD
(F. D. Leone, Jr.)

Three shots pierce a gray winter morn;
The McLemore twins hunting at dawn;
Snow geese on the river, a cold steady rain.
One minute older, Earl made much of it;
All his life, Lee put up with that shit;
Raised his barrel at Earl’s head then dropped his aim.
 
Owen McLemore had seven living sons;
All except the youngest one;
They lost him when he was two years old.
His mama Anabel died in childbirth;
Mother and son buried in Tennessee dirt;
Owen took the rest to Texas and a bitter household.
 
It’s a dirty dog world,
Round a trigger a finger curls.
We are only as free,
As the secrets we keep.
 
The western sky black with a thunderhead;
Chink of bridle, drum of hoof tread;
Rain by nightfall, if the desert don’t drink it up.
Lee and Earl joined up after the Alamo;
To rip Texas from the grasp of Mexico;
Like the other young and strong Texas patriots.
 
Earl moved easy among the other men;
Joking and jostling, everyone his friend;
Lee kept to himself, separate from the rest.
Staring at Earl’s back Lee fantasized;
To remove Earl from his life;
A cold rage burned deep in his dark breast.

It’s a dirty dog world,
Round a trigger a finger curls.
We are only as free,
As the secrets we keep.
 
Doak Walker came with horses from Arkansas;
Sell ’em to the Feds, against the law;
This was 1861, April or May.
Doak and Earl hit it off when they met;
Lee didn’ trust Walker far as he could spit;
But Earl went on and threw in with Doak Walker anyway.
 
They never found Earl’s body ’til ’64;
A Tennessee cornfield at the end of the war;
Three .44 slugs blackened Earl’s bloody chest.
Lee swore to it in 1889;
To a Shreveport judge, just before he died;
“Doak Walker done it,” if you believe him, well, that’s what Lee said.
 
It’s a dirty dog world,
Round a trigger a finger curls.
We are only as free,
As the secrets we keep.

© 2023 Frank David Leone, Jr./Highway 80 Music (ASCAP). The songs and stories on the Highway 80 Stories website are works of fiction. Names, characters, businesses, places, events, locales, and incidents are either the products of the author’s imagination or used in a fictitious manner. Any resemblance to actual persons, living or dead, or actual events is purely coincidental.

“Water Fountains”


LOCATION: Shreveport, Louisiana
PERIOD: 1960s
DRAMATIS PERSONAE: Michael James “Sarge” Broussard (1948-2014); Cole Lucas “Luke” Broussard (1946-1965); Barney Ghio (1948-2019)


During Mike Broussard’s early childhood, his family lived in Shreveport, Louisiana, but later he moved to Vivian where he owned a business and lived out the remainder of his life.  The experience described in this song, when Mike was twelve years old, affected his attitude towards race relations from then on.

One of the oldest movie theaters in Shreveport was The Strand.  It had different entrances for blacks and whites and water fountains marked for the different races, as well.

During the ’60s, most southern cities had two simultaneous phenomena: demographically a significant percentage of the population was African-American (Shreveport was about 60% black) and as a consequence whites and blacks unofficially interacted a lot.  The other aspect was a policy of official segregation. This manifested itself in a myriad of ways beyond the obvious, e.g. separate drinking fountains and different entrances to movie theaters.  However, relationships between whites and blacks could be warm and friendly despite official segregation.

Into the demographic mix were other ingredients.  Louisiana had a relatively large number of Italian Americans, mostly Sicilians.  These immigrants also experienced some discrimination, and in general did not share the otherwise pervasive white attitudes about African-Americans.

When Mike Broussard served in Vietnam he met an African-American from Detroit, D.W. Washington, and they became life-long friends.  Mike and D.W. talked about their plans when their tours were over, and D.W. went back to Vivian with Mike and they operated a filling station and auto repair shop for more than forty years.  D.W. was Mike’s closest friend (see songs “Sarge“, “Mike & D.W.” and “Out on Cross Lake“).


WATER FOUNTAINS
(F. D. Leone, Jr.)

It was 1960, I was twelve years old
My brother and me went to the picture show
My mother dropped us off gave us each a dollar
To see John Wayne in “The Alamo”
Outside The Strand were two water fountains side by side
One was marked “Colored” the other one, “White”
 
I didn’t know Bobby Ghio all that well
He’d just moved to Shreveport that year
He was Sicilian, from New Orleans
And was different from the kids ‘round here
He went to the wrong fountain, he didn’t want to wait in line
My mouth was wide open, it kind of blew my mind
 
It was exceptional
Incredible
To question what we thought was unquestionable
Exceptional
Like climbing a mountain
Or just drinking from a water fountain
 
Big Mama raised three generations of Broussards
She seemed to me as old as Moses
Taught me right from wrong, and a lot of other stuff
She was black but I didn’t seem to notice
It was an age old line that Bobby Ghio crossed
But when he did it a light bulb went off
 
It was exceptional
Incredible
To question what we thought was unquestionable
Exceptional
Like climbing a mountain
Or just drinking from a water fountain
 
It was 1960, I was twelve years old
My brother and me went to the picture show

© 2019 Frank David Leone, Jr./Highway 80 Music (ASCAP). The songs and stories on the Highway 80 Stories website are works of fiction. Names, characters, businesses, places, events, locales, and incidents are either the products of the author’s imagination or used in a fictitious manner. Any resemblance to actual persons, living or dead, or actual events is purely coincidental.

“Vivian, Louisiana”


LOCATION: Vivian, Louisiana
PERIOD: 1960s
DRAMATIS PERSONAE: Michael James “Sarge” Broussard (1948-2014); D.W. Washington (1949-2011)


Home to Mike “Sarge” Broussard and D.W. Washington, Vivian is a moderately small town in Northwest Louisiana.  As is true for many small towns the people live basic lives, centered on family, work, and church.


VIVIAN, LOUISIANA
(F. D. Leone, Jr.)

Down on Pine St. folks will stop and say hello
To Sarge and D.W. at the Texaco
When Sarge lost Marie they all came by
With their fried chicken and strawberry pie
 
Big hearts in a small town
Big hearts beating on and on
Town seems bigger when they are around
Smaller when they’re gone
 
Vivian’s called the “Heart of the ArkLaTex”
Just a little town without enough paychecks
Louisiana Redbud Vivian celebrates
Every March with a parade and pancakes
 
Big hearts in a small town
Big hearts beating on and on
Town seems bigger when they are around
Smaller when they’re gone
 
Big hearts in a small town
Big hearts beating on and on
Town seems bigger when they are around
Smaller when they’re gone

© 2019 Frank David Leone, Jr./Highway 80 Music (ASCAP). The songs and stories on the Highway 80 Stories website are works of fiction. Names, characters, businesses, places, events, locales, and incidents are either the products of the author’s imagination or used in a fictitious manner. Any resemblance to actual persons, living or dead, or actual events is purely coincidental.

“Shreveport, 1963”


LOCATION: Shreveport, Louisiana
PERIOD: 1960s
DRAMATIS PERSONAE: Michael James “Sarge” Broussard (1948-2014); Cole Lucas “Luke” Broussard (1946-1965)


Mike Broussard recalls how he and his brother Luke spent summers in Shreveport during the 1960s.  Mike was 15 and Luke was 17, a few years before each would go off to fight in Vietnam.


SHREVEPORT, 1963
(F. D. Leone, Jr.)

Twenty-five cent a gallon gasoline
’53 Studebaker, three on the tree
The Kokomo drive-in onion rings
Shreveport, 1963
 
Strawberry icebox pie at Strawn’s
My big brother Luke and me
Southern Maid donuts at dawn
Shreveport, 1963
 
The radio dial was set to KEEL or KOKA
Windows down, crusin’ the streets
“Louie, Louie” and “Surfin’ USA”
Shreveport, 1963
 
The Cub drive-through liquor store
A couple of Coke’s and a pint of Jim Beam
Watchin’ the planes at the airport
Shreveport, 1963
 
My brother Luke died in ‘Nam
Time seemed to stop for me
No matter where I am
It’s Shreveport, 1963
 
The radio dial was set to KEEL or KOKA
Windows down, crusin’ the streets
“Louie, Louie” and “Surfin’ USA”
Shreveport, 1963

© 2018 Frank David Leone, Jr./Highway 80 Music (ASCAP). The songs and stories on the Highway 80 Stories website are works of fiction. Names, characters, businesses, places, events, locales, and incidents are either the products of the author’s imagination or used in a fictitious manner. Any resemblance to actual persons, living or dead, or actual events is purely coincidental.

“Out on Cross Lake”


LOCATION: Cross Lake, Shreveport, Louisiana
PERIOD: 2011
DRAMATIS PERSONAE: Michael James “Sarge” Broussard (1948-2014); D.W. Washington (1949-2011)


Mike Broussard and Jake McLemore were friends with D.W. Washington.  Today they are out at Cross Lake, just outside Shreveport, drinking, fishing, and remembering D.W. after burying their friend earlier that same day.


OUT ON CROSS LAKE
(F. D. Leone, Jr.)

Out on Cross Lake rain is fallin’ down
Out on Cross Lake rain is fallin’ down
Today we laid D.W. in the ground
Out on Cross Lake rain is fallin’ down
 
Ol’ D.W. was a pretty good guy
Ol’ D.W. was a pretty good guy
No one can tell me why he had to die
Ol’ D.W. was a pretty good guy
 
Out on Cross Lake passin’ a bottle around
Out on Cross Lake passin’ a bottle around
Today we laid D.W. in the ground
Out on Cross Lake passin’ a bottle around
 
D.W. worked for Mike forty year
D.W. worked for Mike forty year
Mike’s lookin’ in the tub for another beer
D.W. worked for Mike forty year
 
Out on Cross Lake th’ sun is goin’ down
Out on Cross Lake th’ sun is goin’ down
Today we laid D.W. in the ground
Out on Cross Lake th’ sun is goin’ down
 
Now D.W. was a good ol’ boy
Yeah D.W. was a good ol’ boy
Even if he was born in Detroit
D.W. was a good ol’ boy
 
Out on Cross Lake rain is startin’ to pour
Out on Cross Lake rain is startin’ to pour
Might as well go in, they ain’ bitin’ no more
Out on Cross Lake rain is startin’ to pour

© 20185 Frank David Leone, Jr./Highway 80 Music (ASCAP). The songs and stories on the Highway 80 Stories website are works of fiction. Names, characters, businesses, places, events, locales, and incidents are either the products of the author’s imagination or used in a fictitious manner. Any resemblance to actual persons, living or dead, or actual events is purely coincidental.

“Mike and D.W.”


LOCATION: Vivian, Louisiana; Vietnam
PERIOD: 1965-2011
DRAMATIS PERSONAE: Michael James “Sarge” Broussard (1948-2014) ; D.W. Washington (1949-2011); Marie Arceneaux (1952-1981)


Mike Broussard and D.W. Washington met and became lifelong friends during the Vietnam War. Actually, it was more than that, if not for  D.W, Mike would not have come home from Vietnam. Mike. never forgot the debt he owned D.W., but their relationship took a tragic turn after more than twenty years of friendship.

After the war, Mike returned to Vivian, Louisiana, where he owned and operated a filling station and repair shop. D.W. followed when he was discharged and worked there with Mike for four decades. The only thing that came between them was how Mike’s wife, Marie, handled her late stage cancer, and the role D.W. played.


MIKE AND D.W.
(F. D. Leone, Jr.)

D.W. Washington worked for Mike Broussard
Mike was his sergeant back in the war
They been best friends since 1965
But ain’t spoke a word since Marie died
 
Mike owned a filling station and repair shop
Mike worked on the cars, D.W. worked the pump
D.’d go to Bossier Fridays and get a little drunk
Monday mornin’ Mike’d roll by and pick him up
 
Marie was the only love of Mike’s life
D.W. was her friend, but she was Mike’s wife
They weren’t romantic but she and D were close
She’d tell things to him she’d never want Mike to know
 
As the cancer took its toll Marie made up her mind
She had D.W. swear to help her if it came time
Marie hid from Mike what was in her heart
But made sure that D.W. would do his part
 
Mike never forgave him for his role at the end
He didn’t blame Marie, no, he blamed his friend
Mike wanted every minute there was with Marie
D.W. robbed him just like that disease
 
Thirty years went by without a single word
Then D.W. got “old-timers”, was what Mike heard
Mike set aside his pride, set aside the past
Two old friends shared a bottle and a few laughs
 
Marie was the only love of Mike’s life
D.W. was her friend, but she was Mike’s wife
They weren’t romantic but she and D were close
She’d tell things to him she’d never want Mike to know
 
D.W. Washington worked for Mike Broussard
Mike was his sergeant back in the war

© 2025 Frank David Leone, Jr./Highway 80 Music (ASCAP). The songs and stories on the Highway 80 Stories website are works of fiction. Names, characters, businesses, places, events, locales, and incidents are either the products of the author’s imagination or used in a fictitious manner. Any resemblance to actual persons, living or dead, or actual events is purely coincidental.

“Mike Was a Soldier”


LOCATION: Vivian, Louisiana, Vietnam
PERIOD: 1960s-1980s
DRAMATIS PERSONAE: Michael James “Sarge” Broussard (1948-2014) ; Cole Lucas Broussard (1946-1965)


Michael James “Sarge” Broussard (1948-2014) was born and raised in Vivian, Louisiana.  He served in Vietnam (1966-1967) in a transport unit, keeping the vehicles running in the jungle, but on occasion, as necessary, he would go out on patrol.

D.W. Washington was from Detroit, African-American, and he and Mike became friends.  If not for D.W., Mike most likely would have died over there, as had his brother Luke (see songs, “Vivian, Louisiana” and “Shreveport, 1963“).

But they both made it back, and Mike returned to Vivian where he owned and operated a filling station and repair shop (see song, “Sarge“).  D.W. joined him and worked there with him (see song, “Mike and D.W.“).

Mike and his high school sweetheart, Marie, got married and had one child, a daughter Rosalie.


MIKE WAS A SOLDIER
(F. D. Leone, Jr.)

Mike was a soldier
He’d just joined up
Off to Vietnam
To work on trucks
Nineteen sixty-six
Just turned eighteen,
Doing his duty
Like his brother done
 
Just a teenager
Nineteen sixty-five
Mike and Marie
Said their goodbyes
Made some promises
Like getting married
That is, if Mike made it
Back alive
 
Not like his brother
No, all too often
Families just have the flag
That draped the coffin
And some memories
Of him on a bus
Thumbs up, and laughin’
Just laughin’

Mike was a soldier
Barely breathin’
It was D.W. got him home
To Vivian
After forty years
They ‘re still friends
Down on Main
At the filling station
 
Mike was a soldier
And a husband
Was a good friend
To dozens
They called him Sarge
And said he was
A pretty good guy
Yeah, Mike, he sure was one
 
Mike was a soldier
He’d just joined up
Off to Vietnam
To work on trucks

© 2020 Frank David Leone, Jr./Highway 80 Music (ASCAP). The songs and stories on the Highway 80 Stories website are works of fiction. Names, characters, businesses, places, events, locales, and incidents are either the products of the author’s imagination or used in a fictitious manner. Any resemblance to actual persons, living or dead, or actual events is purely coincidental.

“Let Her Run”


LOCATION: Bellamy, Alabama and surrounding area
PERIOD: 1990s
DRAMATIS PERSONAE: Rosalie Broussard (1969); Tullison “”Tully”” Tate (1965-1993); Tammy Tate (1991); Michelle Tate (1991)


Rosalie Broussard was a restless girl from a very young age. She would often wander off, not telling her parents anything, causing them to worry. Rosalie was precocious, sexually mature for her age. She got herself pregnant before she was sixteen and decided to have the baby, a boy, whom she chose to name James (b. 1985).

Rosalie married Tully Tate, and they went to live in Bellamy, Alabama, leaving James behind with Rosalie’s father. Rosalie and Tully had twin girls a few years later.

Throughout these early years of her marriage, Rosalie would run off from time to time, forcing Tully to find her and bring her back, only to run off again a few weeks later.

Finally, Tully just gave up on her and let Rosalie run.


LET HER RUN
(F. D. Leone, Jr.)

Rosalie Broussard just turned sixteen
She likes movie magazines
Spends hours in her room alone
But Rosalie’s barely hanging on
 
She hasn’t told her parents yet
Robert Abbott said it’s either him or it
Under her pillow there’s a list of names
She circled in red Jenny and James
 
Tully Tate drove a log truck
From Hosston to Bastrop
Rosalie met Tully one Friday night
For once everything felt just right
 
Tully was from Alabama
He and Rosalie left Louisiana
Got in his truck and drove all night
After leaving James with her daddy Mike
 
Rosalie’s restless as it gets dark
Listening to the wind outside and a dog bark
She’s stir crazy in that little town
Bellamy, Alabama’s all shut down
 
Tully works at the WestRock paper plant
Rosalie’ll wander off when she feels trapped
Leaving eggs frying in the pan
Tully just can’t understand
 
Rosalie don’t know why she has to roam
Tully always found her and brought her home
Later she hates the harm she’s done
One day Tully’s just gonna let her run 

© 2020 Frank David Leone, Jr./Highway 80 Music (ASCAP). The songs and stories on the Highway 80 Stories website are works of fiction. Names, characters, businesses, places, events, locales, and incidents are either the products of the author’s imagination or used in a fictitious manner. Any resemblance to actual persons, living or dead, or actual events is purely coincidental.

“James”


LOCATION: Vivian, Louisiana
PERIOD: 1993
DRAMATIS PERSONAE: James Michael Broussard (1985); Rosalie Broussard (1969); Robert Abbott (1965); Michael James “Sarge” Broussard (1948-2014); MaeAnn Murphy (1956)


Rosalie Broussard found her self pregnant a week after turning sixteen (see song “Jenny or James“).  Though her boyfriend wanted her to have an abortion, and even offered her the money, she refused, because Rosalie had a naive understanding about what having a baby really meant, and also because she just didn’t like the idea.  However, she eventually realized she couldn’t handle the responsibility and when James was three she handed him over to her father and his second wife, MaeAnn.

When Rosalie was twenty she left Vivian, Louisiana and married Tully Tate, a man she met while waitressing at a truck stop.  They had twin girls and lived in Mobile, Alabama.  But Rosalie never could make peace with domestic life and would run off from time to time, ech time Tully would find and bring her back home (see song “What Tully’s Done“).  But eventually he grew tired of chasing after his runaway wife and Rosalie finally left that family as well (see song “Rosalie“).

Mike and MaeAnn dearly loved James since they saw that his mother had not shown him the natural love of a mother.  But James still felt an emptiness which was only relieved when he played catch with his grandpa.


JAMES
(F. D. Leone, Jr.)

James was Wednesday’s child, full of woe
His mama left when he was just three years old
Rosalie was only sixteen when she had him
Left him with her parents; he was raised by them
 
James grew up wondering if he’d done something wrong
That made his mama leave him at his grandpa’s home
His father was a shadow, a name that wasn’t said
But Mike and MaeAnn did their best
 
When James played catch with Mike
For a little while everything seemed alright
A peaceful feeling settled in with the dimming light
On those summer days when James played catch with Mike
 
He overheard bits and pieces about his mama’s life
She was living in Mobile, a truck driver’s wife
At Christmas she might visit but wouldn’t stay too long
Gave James some toy he’d long ago outgrown
 
MaeAnn said he had twin sisters in Mobile
James really hoped that they had a better deal
But soon Rosalie would run off from them too
It seemed that’s all his mama was cut out to do
 
When James played catch with Mike
For a little while everything seemed alright
A peaceful feeling settled in with the dimming light
On those summer days when James played catch with Mike

© 2019 Frank David Leone, Jr./Highway 80 Music (ASCAP). The songs and stories on the Highway 80 Stories website are works of fiction. Names, characters, businesses, places, events, locales, and incidents are either the products of the author’s imagination or used in a fictitious manner. Any resemblance to actual persons, living or dead, or actual events is purely coincidental.

“I’m Still in Love With You”


LOCATION: Vivian, Louisiana
PERIOD: 1981-1984
DRAMATIS PERSONAE: Michael James “Sarge” Broussard (1948-2014) ; Marie Arceneaux (1952-1981); D.W. Washington (1949-2011)


Mike Broussard has never come to grips with his wife Marie’s suicide. Part of it is because she chose to confide in his friend D.W. and not him. Part of it is the fact that she most likely would have lived some months longer, giving him more time to accept her passing. But the suddenness of her death left him with feelings he can’t quite get a hold of.

At first he blamed his friend for helping her, but then he got mad at her. They had never gone to bed angry and were always able to talk out their differences.  But left alone like this, he feels betrayed and can’t accept her loss.


I’M STILL IN LOVE WITH YOU
(F. D. Leone, Jr.)

I want to forgive you
But I can’t
I want to forget you
But I ain’t
I’m still in love with you

I want to hate you
But I don’t
Move on and replace you
But I won’t
I’m still in love with you

If you were still around
We would talk it out
And set it right as the sun came up
But I’m here all alone
Staring at a cold headstone
And then I’ll climb back in my truck

Someday I’ll forgive you
But I ain’t ready yet
I’ll never forget you
Long as I draw breath
I’m still in love with you

© 2019 Frank David Leone, Jr./Highway 80 Music (ASCAP). The songs and stories on the Highway 80 Stories website are works of fiction. Names, characters, businesses, places, events, locales, and incidents are either the products of the author’s imagination or used in a fictitious manner. Any resemblance to actual persons, living or dead, or actual events is purely coincidental.