“Dougie Dog Kinsella”


LOCATION: Greenwood, MIssissippi
PERIOD: 1949-1969
DRAMATIS PERSONAE: Beauchamp Raney (1917-1949); Douglas “Dougie Dog” Kinsella (1929-2000); Alice Sturgess (1919-1996)


Douglas Kinsella was bullied as a child by Beauchamp Raney, a scion of a family of moonshiners, and pretty bad character. They were distantly related, through Dougie’s maternal side, but the familes were nothing alike.  Dougie is mentored by the local school teacher, and eventually goes to college and becomes a successful writer of Southern fiction.


DOUGIE DOG KINSELLA
(F. D. Leone, Jr.)

When Dougie Dog Kinsella bought his book
He wrapped it in brown butcher paper
To keep anyone from grabbin’ a look
And think he was gettin’ above his raisin’
Alice Sturgess taught Dog to read
A fact that beggars belief
That’s how it started but not where it ended
Who coulda known then it was just beginnin’
 
We knew about the Raney family
Beauchamp Raney was a surly scofflaw
The rest was back woods moonshine people
Except for his maternal grampaw
Beauchamp was named after him
A hard shell Baptist preacher, and grim
Beauchamp’s blood took a hard left turn
His grampaw cursed him to hell to burn
 
Dougie was some distant kin
But while they were violent and hard
Dougie was nothin’ like them
Had a quality that set him apart
There was a look he’d get, a stare
Like he saw something in the air
What most folks mistook as simple
Alice Sturgess recognized potential
 
Dougie got his nickname as a child
When Beauchamp Raney would come around
Gave Dougie a dollar, stood back and smiled
Had him bay ‘n’ howl like his coonhound
As Dougie grew the name just stuck
He never acted like he cared that much
Greenwood folks saw it as more proof
That Dougie was different, a simple truth
 
Alice Sturgess was a widow woman
Been teaching school for more than ten years
Alice Sturgess was pretty good lookin’ 
Had the best farm for miles round here
Alice didn’t like to hear Dougie called Dog
She wouldn’t tolerate it at all
Alice would scowl when it was used
We all tried to do what she approved

But Beauchamp Raney was a sorry cuss
Didn’t like Alice taking Dougie’s side
He figured Alice was due her comeuppance
Beauchamp would be the one to provide
Dougie helped Alice with the chores
That was when he began his reading course
Beauchamp Raney waited for the day
When he could make Alice Sturgess pay
 
Beauchamp Raney started talkin’ trash
Spreadin’ gossip all over town
Late nights, the farm, Alice ‘n’ Dougie, don’t ask 
Beauchamp managed to raise some eyebrows
He drove out to the farm late one night
Alice Sturgess put up quite a fight
Fought him off best she could 
She wasn’t strong enough, it wasn’t good
 
Dougie had a cousin Lucas James
They’d played together when they were kids
Lucas knew about Dougie’s nickname 
Knew all what Beauchamp Raney did
When he heard about this latest crime
Lucas swore Beauchamp would pay this time
He would call that bully out
Beauchamp Raney called to account
 
Every Friday Beauchamp came to town
Get likkered up and make trouble
No one wanted to hang around
He had no friends not even his own people
Lucas hid behind the fillin’ station 
When Beauchamp walked by he’d be waitin’
Lucas used a pipe wrench from his truck
Beauchamp Raney never got back up
 
At first it was all we talked about
Most said Beauchamp got what he had comin’
The Sheriff investigated then announced
“Some fellas just needed killin'”
Alice Sturgess taught Dog to read
He went to Ol’ Miss got his degree
Dougie Dog became Douglas Kinsella
A Delta author, story teller

© 2022 Frank David Leone, Jr./Highway 80 Music (ASCAP). The songs and stories on the Highway 80 Stories website are works of fiction. Names, characters, businesses, places, events, locales, and incidents are either the products of the author’s imagination or used in a fictitious manner. Any resemblance to actual persons, living or dead, or actual events is purely coincidental.

“Say Roy”


LOCATION: Raney farm in the North Georgia hills
PERIOD: 1877
DRAMATIS PERSONAE: Royal Raney (1867-1913); Lonsom Raney (1828-1923)


Royal Raney was the grandson of Lonsom Raney, legendary moonshiner and general hell-raiser of the North Georgia mountains.  Here, Lonsom is with a ten year old Royal, spending some time on the family farm telling some history of their clan and in general initiating him into the Raney fold.


SAY ROY
(F. D. Leone, Jr.)

Say Roy, get my walking stick
I want to take a look around the place
Get up boy, and you best be quick
I’m old ‘n’ ain’ got time to waste
Come on Roy, find your sense
I want to see that stretch o’ fence
Did you mend it right?
Let’s go, it’s almost light

Get up and make your bed
Boy don’ keep me waitin’ long
Ain’ you heard a single word I sed?
I want to sweep off your Grandma’s headstone
It looks like it might storm
Gonna stick my head in the barn
Did you milk the cow?
I wanna go and go now

I can see it just like yesterday
Walkin’ with my pap just like this
I was just about your age
And wanted a walkin’ stick just like his
Pap cut a branch, gave it to me
He cut it from a hickory tree
Said, “when that dries it’ll be good”
We’re standing where that hickory stood

Say Roy, let’s head back home
I done looked around the place
Come on boy, get a move on
I’m old ‘n’ ain’ got time to waste
Light the lamp, trim the wick
Here, take this walkin’ stick
It’ll be yours from now on
Come on Roy, let’s go home

© 2019 Frank David Leone, Jr./Highway 80 Music (ASCAP). The songs and stories on the Highway 80 Stories website are works of fiction. Names, characters, businesses, places, events, locales, and incidents are either the products of the author’s imagination or used in a fictitious manner. Any resemblance to actual persons, living or dead, or actual events is purely coincidental.

“Lonsom Raney 1828”


LOCATION: North Georgia
PERIOD: 1828-1923
DRAMATIS PERSONAE: Lonsom Raney (1828-1923); Ransom Raney (1847-1929); Royal Raney (1868-1939);Virgil Raney (1885); Vernon Raney (1911-1993)


Lonsom Raney is the son of Scots-Irish immigrants to this country in the early 18th century. Originally the family spelled their name “Rainey” but Lonsom chose to drop the “i” and spell his name “Raney”.

In Colonial America, a whiskey-making tradition came ready-made with the arrival of Scots-Irish settlers from Northern Ireland’s Ulster region, beginning in the 1700s. They brought with them their taste for the drink and an understanding of how to make it. Lonsom Raney’s grandfather had always made his own whisky back in Scotland, and brought his still with him wherever he moved: first to Ireland then across the ocean to Virginia.

When Lonsom was a child, moonshine doubled as a cough suppressant and sore-throat treatment. To get little ones to tolerate whiskey, adults added something special to the cup: “It was pretty common with everybody in the mountains to put the old-fashioned peppermint-stick candy in it,” says Vernon Raney, Lonsom’s great-great-grandson.

Lonsom claimed to drink corn whiskey nearly every day of his life, often telling anyone in his vicinity, that moonshine was the only thing that kept him alive. He started making it while still a child. “I went to helpin’ my daddy make likker when I wuddn’t but nine years old,” he told Vernon. “My daddy just let me go to the still with him and I watched him and learnt it myself.”

Over the years, the law mostly left the Raneys alone. But Lonsom wasn’t always lucky. On at least four occasions, he served time in jail and in prison for violating liquor laws and evading taxes. But as it turned out, being locked up wasn’t bad for business. “That’s a good place to get customers,” Vernon said of his great-great-granddad’s time behind bars. “He would just take orders and fill them when he got out.”

Lonsom Raney died in 1923 at the age of 95. He had four descendants who carried on the Raney whisky tradition: Ransom (son), Royal (grandson), Virgil (great-grandson) and Vernon (great-great-grandson). Vernon would marry Molly Motts, who would later transition their bootlegging business into a drug enterprise (see songs “’57 Fleetwood to Memphis” and “Molly on the Mountain“).


LONSOM RANEY 1828
(F. D. Leone, Jr.)

1828 Lonsom Raney was born
Had a copper still an’ made clear corn
His great-granddad brought it from Scotland
Hid it in the hills on this Georgia mountain

Help’d his daddy make likker, Lonsom told
When he wuddn’t but nine years old
They’d load the wagon right at the still
Run that shine all through those hills

“Let me be, my sons and me
I’m just doing what I can
Let me be, my boys ‘n’ me
I’m just livin’ off the land”

He made it himself when his daddy died
Drank corn whiskey every day of his life
Claimed moonshine was what kept him alive
Lonsom Raney lived to ninety-five

“Let me be, my sons and me
I’m just doing what I can
Let me be, my boys ‘n’ me
I’m just livin’ off the land”

Five generations used that still
From Ransom to Royal, then Virgil
Lonsom died in nineteen twenty-three
Now it’s Vernon’s time with the recipe

“Let me be, my sons and me
I’m just doing what I can
Let me be, th’ boys ‘n’ me
I’m just livin’ off the land
I’m just doing what I can
Lemme be free Mr. Gov’mint man”

© 2017 Frank David Leone, Jr./Highway 80 Music (ASCAP). The songs and stories on the Highway 80 Stories website are works of fiction. Names, characters, businesses, places, events, locales, and incidents are either the products of the author’s imagination or used in a fictitious manner. Any resemblance to actual persons, living or dead, or actual events is purely coincidental.

“Sweetheart of Mine”


LOCATION: Mississippi outside of Vicksburg
PERIOD: 1947-48
DRAMATIS PERSONAE: Beauchamp Raney (1917-1949); Bess Baldwin (1920-1948)


Beauchamp Raney (1917-1949) was one of the middle children of Virgil Raney (1885-1959) and Hazel Tate (1886-1964).  His oldest brother, Vernon Raney (1911-1993) was the son who carried on the whiskey making tradition.  However, they all helped, and Beau was smart, resourceful, and one of the more valuable members of the family business.  However, he did not marry well.

His wife was 19 when they got married, and liked to go out and party, whereas Beau preferred staying close to home except those times when he and Vernon had to move the liquor.  One thing led to another and Bess found herself entangled with a wealthy cotton planter, and she lost her head in this adulterous relationship.

Little did she know how Beau would react.


SWEETHEART OF MINE
(F. D. Leone, Jr.)

Sweetheart of mine
Good mornin’
Next time you see me
You better run
You broke my heart
My sweet darlin’
Next time I see you
I’ll have a gun

By the time you see me
Be too late believe me
In my hand will be my .45
Sweetheart of mine

Your new sugar
I’ll leave alone
It ain’t his fault
I don’t blame him
Cheated and lied
Now you’re gone
Treated our vows
Like you never made ’em

Last thing you’ll see will be me
Shoot you where your heart should be
Watch the life leave your lyin’ eyes
Sweetheart of mine

You will learn
That I won’t let you
Walk over me
Like I was dirt
Be one time
Since I met you
That I will get
The last word

By the time you see me
Be too late believe me
In my hand will be my .45
Sweetheart of mine

Last thing you’ll see will be me
Shoot you where your heart should be
Watch the life leave your lyin’ eyes
Sweetheart of mine

© 2025 Frank David Leone, Jr./Highway 80 Music (ASCAP). The songs and stories on the Highway 80 Stories website are works of fiction. Names, characters, businesses, places, events, locales, and incidents are either the products of the author’s imagination or used in a fictitious manner. Any resemblance to actual persons, living or dead, or actual events is purely coincidental.

“Robert Dodge”


LOCATION: Plantation in Albemarle, Virginia,  Clarksdale and Friars Point,Mississippi; Memphis, Tennessee; New Orleans, Louisiana; Chicago, Illinois; Detroit, Michigan
PERIOD: 1841-1932
DRAMATIS PERSONAE: Robert Dodge (1884-1932); Charles Dodge (1841-1912); Winnie Mason (1845-1930)


Of the approximately twelve million Africans brought to the Americas, as few as 350,000 came directly to the territories that would become the United States.  Virtually all of those slaves were brought to the East Coast, primarily to Virginia and the Carolinas.  Among them were the ancestors of Winnie Mason (1845-1930) and Charles Dodge (1841-1912), whose ancestors had been given their freedom prior to the Civil War.  Charles and Winnie moved from Virginia to Mississippi as free persons of color.

Winnie had given birth to nine children, but only five survived to adulthood.  Robert Dodge (1884-1932) was the youngest and last to leave home.  The events of this song took place roughly from 1880 to 1920.

Free blacks in the South were not uncommon.  In 1810, there had been over 100,000 free black persons there, and by 1860 more free blacks lived in the South (261,918) than in the North (226,152).  Forty percent were mulattoes, and for the most part they had been released from slavery through manumission (formal acts of emancipation by their slave-owners). That had been the case for the Dodge family, whose mixed-blood ancestor had fought in the Revolution and been granted his freedom as a result.

After receiving their freedom former slaves often moved from the upper to the deep South, as did the Dodges who went from Virginia to Mississippi. For the most part, such movement was instigated by the possibility of money to be made in the Lower South’s cotton industry.

Robert Dodge was not like his father, who was a hard worker and entrepreneur. While Robert was blessed with musical talent he was cursed with a lack of discipline and need for instant gratification. He never settled in any town long because of his wanderlust and wherever he went trouble was not far behind.

Robert was one of many songsters who traveled around Mississippi singing and playing for house parties in what were called jukes or juke joints.


ROBERT DODGE
(F. D. Leone, Jr.)

Robert was born on a plantation
Charlie Dodge’s youngest son
The Dodges lived in Albemarle
Six generations before Charles

A Dodge had fought with Washington
That’s how their freedom was won
Charles left Virginia for Mississip’
He’d heard there was cotton to pick

Charles was good with his hands
He set up a blacksmith stand
Put his money in a crockery pot
Saved enough to buy his own spot

In the year nineteen-aught-one
Robert wanted his own freedom
He didn’t like plantation work
Picking cotton made his hands hurt

He got a guitar by trading his shoes
Started making money playing blues
He was known in all the juke joints
From Clarksdale to Friars Point

When he was living in Greenville
Took up with a gal named Lit’l Lil
Til her husband found them both in bed
And he hit Lit’l Lil upside the head

He came at Robert with a knife
Robert ran for his life
Shouting, “I don’t mean a thing to her
I’m just a poor songster”

He ran to Memphis on his bare feet
Found a hoodoo shop on Beale Street
A conjure woman sitting at a boiling pot
Said her brew would bring him luck

She gave him a bag made of jute
Filled with graveyard clay and snakeroot
Added some cat’s teeth and colored glass
Would make him play his guitar fast

He found his way to New Orleans
His fingers flew across his guitar strings
There was a train would take him North
To Chicago and Detroit

Robert was born on a plantation
Charlie Dodge’s youngest son
The Dodges lived in Albemarle
Six generations before Charles

© 2020 Frank David Leone, Jr./Highway 80 Music (ASCAP). The songs and stories on the Highway 80 Stories website are works of fiction. Names, characters, businesses, places, events, locales, and incidents are either the products of the author’s imagination or used in a fictitious manner. Any resemblance to actual persons, living or dead, or actual events is purely coincidental.

“Nathaniel Knox Was An Ulster Man”


LOCATION: Ulster, Ireland; Carolinas, America; Meridian, Mississippi
PERIOD: 1621-1905
DRAMATIS PERSONAE:
Tristan Knox (1621); Nathaniel Knox (1722) ; Jeremiah Knox (1774-1864); Matthew Knox (1833)


NATHANIEL KNOX WAS AN ULSTER MAN
(F. D. Leone, Jr.)

Nathaniel Knox was an Ulster man
A staunch Presbyterian
Sold his labor for a six week voyage
With a wife and two small boys

Traced his line to 1621
To his great-great-grandad Tristan
They came to Ulster from County Galloway
Nathaniel Knox sailed away

It was a small thing that he took
A list of names in a holy book
Every Knox that’ll come along
Will write more names of his own

Nathaniel Knox went to Carolina
Took his grandson Jeremiah
Who was the first Knox American-born
In seventeen seventy-four

It was a small thing that he took
A list of names in a holy book
Every Knox that’ll come along
Will write more names of his own

It ain’t rained for six weeks now
Jeremiah watched his fields turn brown
One minute he’s cooking molasses from sugar cane
Then everything he’s built goes up flames

Matthew Knox was Jeremiah’s grandson
He left Carolina for Meridian
Mississippi soil is rich and dark
Matthew Knox has an Ulster heart

It was a small thing that he took
A list of names in a holy book
Every Knox that’ll come along
Will write more names of his own

© 2018 Frank David Leone, Jr./Highway 80 Music (ASCAP). The songs and stories on the Highway 80 Stories website are works of fiction. Names, characters, businesses, places, events, locales, and incidents are either the products of the author’s imagination or used in a fictitious manner. Any resemblance to actual persons, living or dead, or actual events is purely coincidental.

“Miss Lucy Keith”


LOCATION: Vicksburg, MIssissippi
PERIOD: 1853-1925
DRAMATIS PERSONAE: Lucy Calhoun Keith (1864-1919); Cowan “Dusty” Cooper (1853-1925)


During the latter half of the 19th century shaped note singing became very popular. Singing schools were found all though the South, and singing conventions would be held for three days at a time, or even as long as a week. These events were part of what has been called The Great Awakening in which revivals or camp meetings were held where, along with the preaching, much singing would take place.

This song is about the great-great-grandparents of Lucy Cooper (1980-2015), Cowan “Dusty” Cooper (1843-1925) and Lucy Calhoun Keith (1859-1919). They were an unlikely match since Cowan was a ne’er-do-well and more than 15 years older, while Miss Lucy Keith was a dignified young lady, the heir to her father’s banking fortune. But they happened to meet at an opportune moment.

Because Lucy was a somewhat intimidating lady, suitors had never succeeded in winning her hand, and by now seven years had elapsed since she had attained marriageable age. At the same time, it was 1885, Cowan Cooper had become dissatisfied with his life as an itinerant gambler and con-man and was ripe for change.

After becoming aware of Miss Lucy Keith, and seeing that she was strikingly beautiful, and destined to become rich, Cowan began to make himself available wherever she might be, including one of these camp meetings. Although at first his motives might not have been exactly honorable, that changed rather quickly.

They officially met at a group singing event held by the river in Vicksburg, Mississippi. As he joined in the singing, Cowan felt himself being born again and from then on he and Lucy Keith began courting seriously. Cowan grew into a proper gentleman and eventually met with the approval of Old Man Keith, who took him on at the bank.

Cowan and Lucy married, raised three children, and lived happily together for 32 years.


MISS LUCY KEITH
(F. D. Leone, Jr.)

I buried Lucy yesterday
After thirty-two years together
But I am getting ahead of myself
I mean to tell you how I met her

My name is Cowan Cooper
Been a grifter my whole life
I was making a pretty good living
With cards and dice

I come from Jackson, Mississippi
Born in 1843
But I cared nothing about
Preserving the Union or slavery

While other boys fought and died
I bought myself out of the war
Dealt poker in a Vicksburg saloon
And lived with a whore

I met Lucy in 1885
By then the war was twenty years gone
I was tired of the gambler’s life
But it’s all I’d ever known

Miss Lucy Keith was the talk of Vicksburg
Her flashing green eyes and long red hair
They said she can look right through you
Made you feel like you weren’t even there

I was intrigued by this young lady
And would appear wherever she went
Until one night I found myself
At a camp meeting, under a tent

Now I was raised up in the church
But learned more songs in less sacred places
There was a feeling in that tent
A light radiated from all the faces

I sat down next to Miss Lucy Keith
She kindly indicated to me the hymn
We shared a Sacred Harp
Leaned in close and sang “Jerusalem”

I can’t explain what came over me
The singing mixed with Miss Lucy Keith’s perfume
From the fragile scent of lilac
I felt myself rising up in the room

In the weeks after that night
I was often seen with Miss Lucy Keith
My former friends couldn’t understand
And stared at me with disbelief

I threw away my cards and dice
Having no use anymore for them
A wretch such as I had been saved
When Lucy Keith and I sang “Jerusalem”

So now you’ve heard my story
And it’s all I have to tell
I walked away that old hymn book
Somewhere, it’s sitting on my shelf

Those shaped notes may be old-fashioned
I hope there’s still some power left in them
Save your old Sacred Harps
My life was changed when I sang “Jerusalem”

© 2020 Frank David Leone, Jr./Highway 80 Music (ASCAP). The songs and stories on the Highway 80 Stories website are works of fiction. Names, characters, businesses, places, events, locales, and incidents are either the products of the author’s imagination or used in a fictitious manner. Any resemblance to actual persons, living or dead, or actual events is purely coincidental.

“I Start Each Day With Coffee”

LOCATION: Jackson, MIssissippi
PERIOD: 2023
DRAMATIS PERSONAE: Levi Hooper (1973); Lucy Cooper (1980-2015)


Outside of Jackson, Mississippi, fall of 2022. Levi Hooper, approaching his fifitieth birthday, lives alone and is satisfied with his solitary life.  But thoughts of Lucy Cooper still haunt the corners of his mind.


I START EACH DAY WITH COFFEE
(F. D. Leone, Jr.)

I start each day with coffee
At night a double shot of rye
In between I do my best 
To just get by
A masterpiece is the sunrise
The golden moon is poetry
I love livin’ in this cabin
It’s got everything I need
 
Each day may seem the same
But they are infinitely not
Tiny ripples on the surface
Reflect the hand of God
 
I love the first days of October
The crisp clean air of fall
Kicking through a drift of dry leaves
Firdaa nights high school football
I’ll chop a little oak and ash
For burning in my stove
Hunt and fish in the evening
Down in my cedar grove
 
Each day may seem the same
But they’re infinitely not
Tiny ripples on the surface
Reflect the hand of God
 
Sometimes I think of Lucy
Those memories still are mine
After all these years
There’s still feelings I can’t define 
I start each day with coffee
At night a double shot of rye
In between I do my best 
To just get by

© 2022 Frank David Leone, Jr./Highway 80 Music (ASCAP). The songs and stories on the Highway 80 Stories website are works of fiction. Names, characters, businesses, places, events, locales, and incidents are either the products of the author’s imagination or used in a fictitious manner. Any resemblance to actual persons, living or dead, or actual events is purely coincidental.

“Lucy’s Grandma On Her Mama’s Side”


LOCATION: Raleigh, North Carolina; Mississippi
PERIOD: 1920s-30s
DRAMATIS PERSONAE: Millie Carson Sparks (1899-1985); Bessie Carson Grant (1932- ); Lucy Bess Cooper (1980-2015)


The May 24, 1935 Roanoke Times headline read: Woman Pilot of Whiskey Cars Is Placed On Stand. Millie Carson Sparks testified on May 23 for a half hour. “So great was the interest with which her appearance has been awaited that it served to overshadow a full day of varied testimony . . .” The experience was a disappointing one for most, including Anderson, who saw his hopes of a great mountain heroine die with her appearance on the witness stand. “Mrs. Carson, whose name became so widely known here in the palmy [sic] days of the bootleggers during Prohibition, appeared minus the diamond that once gleamed in her teeth. She was dressed in a white outfit with hat and shoes to match, the dress having brown ruffled sleeves and collar gathered in front with a large cameo pin.

Mildred “Millie” Sparks was a tall, thin and sophisticated young woman whose appearance and mien belied her Southwestern Virginia upbringing. Sparks had originally married a big-shot bootlegger and soon became the principal driver for the operation, driving pilot cars as the caravans of booze careened and smashed their way through the hills of rural towns and into the conduits of the major cities, becoming a celebrity in the process. They said Sparks had movie-star looks and diamonds set in her teeth.

The woman she presented to the world gave no indication of the kind of upbringing she experienced as a girl.

She would have been out of bed at dawn. Summers came on the mountain farm then winters. From the time she was six or seven, she went, for a few months each winter, to a mountain school.

From the time when she was tall enough to stand up to the stove she got up and got the breakfast. In the winter there were corn bread and hot hog meat, and in the summer there were greens. Then she had to clean up the dishes and sweep out the house. She said that the house had no floor. There was just the hard earth, clay she said, made hard and even shiny by much tramping of bare and unwashed feet. To sweep out the house with a homemade broom her father had made, to wash the dishes – mend and wash her father’s clothes.

To school for a few months each winter, for four or five years – to learn anyway to read and write. Spring, summer, fall, and winter. There were plenty of creeping crawling things. “We had lice and bedbugs,” she said. She thought, when she was a child, they were companions every one had.

When she was sixteen she decided she could take no more of the life of back-breaking work and ran off to Raleigh and found work in one of the textile mills. Eventually she met the men involved in the bootlegging and married one.

No one around called the thing “bootlegging.” That might as well have been a foreign word. “You mean blockadin’, sir? What blockades?” Nobody ever said “moonshine” either. White Lightning. White Mule. Moon. Stump Whiskey. Mountain Dew. Squirrel Whiskey. Fire Water.

She had a little girl, Bessie, and chose to retire from her husband’s business, which was becoming increasingly dangerous and unprofitable by the early ’30s. It wasn’t long before the Feds shut down the entire enterprise, culminating with the longest trial in state history. She died 50 years after giving testimony in that trial at the age of 86.


LUCY’S GRANDMA ON HER MAMA’S SIDE
(F. D. Leone, Jr.)

Lucy’s grandma on her momma’s side
Was still around when Lucy died
Bessie Grant was born in the Depression
Had a hard life but was full of fun
Lucy was her favorite one
They never told her Lucy died in prison

Bessie’s momma was a blockader
Revenuers could never fade her
When she drove her fast pilot car
Millie Sparks had a diamond in her teeth
Ever’ thing she did was for keeps
Wore a camel coat; smoked a cigar

A long line of strong women
Tough as nails every one
They were here before this land was named
None of ’em was ever tamed
There ain’ ’nuff time to tell what all they done

Lucy’s momma Mae had a juke joint
Over by Friar’s Point
Where the all the old blues men played
Lucy’s daddy Frank burned it down
Bragged he was tired of her runnin’ around
‘Til he met the business end of a .38

A long line of strong women
Tough as nails every one
They were here before this land was named
None of ’em was ever tamed
There ain’ ’nuff time to tell what all they done

Maybe you heard about Lucy’s end
But six months after she went in
She had a baby, a little boy
They took the child and sent him off
Did it all without a second thought
Momma Mae found him, raised him up as McCoy

A long line of strong women
Tough as nails every one
They were here before this land was named
None of ’em was ever tamed
There ain’ ’nuff time to tell what all they done

© 2018 Frank David Leone, Jr./Highway 80 Music (ASCAP). The songs and stories on the Highway 80 Stories website are works of fiction. Names, characters, businesses, places, events, locales, and incidents are either the products of the author’s imagination or used in a fictitious manner. Any resemblance to actual persons, living or dead, or actual events is purely coincidental.

“Down 80 East”


LOCATION: Vicksburg, Mississippi
PERIOD: 2015
DRAMATIS PERSONAE: Levi Hooper (1973); Lucy Cooper (1980-2015)


Upon hearing of Lucy Cooper‘s death while in prison, Levi Hooper went on a bender. Getting in his truck and driving through Mississippi: Greenwood, Greenville, Vicksburg and even into Louisiana. He drank until drunk in small bars along the way (see songs, “When Louanne Met Lucy in Prison” and “Levi After Lucy“).

This behavior was certainly unusual for Levi, normally a down-to-earth, church-going man who spent much of his spare time helping his mother, Mildred Motts Hooper, with her house and business. She had turned her home into a thrift shop a year after her husband passed on (see song, “Mildred’s House of Values“).

This drinking road trip only lasted a little over a week, but it was enough for Levi’s mother, to become concerned. So it was with relief that he finally came home, and things returned to normal without Levi offering up any explanation as to the reason for his absence.


DOWN 80 EAST
(F. D. Leone, Jr.)

Levi woke up on the wrong side of the road
Sitting on the side of 80 East
Last thing he remembered was stumbling out that old church
Pressing a wrinkled twenty on the priest

Time to go back, runnin’ wild has run its course
He can’t run away from the grief
He needs a shave, a strong cup of coffee
Time to go back, down 80 East

He don’t understand why Lucy did what she did
She was so close to getting her parole
But this drinking and running has gone on long enough
What he’s looking for ain’t down this road

Time to go back, runnin’ wild has run its course
He can’t run away from the grief
He needs a shave, a strong cup of coffee
Time to go back, down 80 East

All along Levi thought it too good to be true
Doubted he and Lucy would last
But it looked like she was headed in the right direction
In the end she just ran out of gas

Time to go back, runnin’ wild has run its course
He can’t run away from the grief
He needs a shave, a strong cup of coffee
Time to go back, down 80 East

© 2019 Frank David Leone, Jr./Highway 80 Music (ASCAP). The songs and stories on the Highway 80 Stories website are works of fiction. Names, characters, businesses, places, events, locales, and incidents are either the products of the author’s imagination or used in a fictitious manner. Any resemblance to actual persons, living or dead, or actual events is purely coincidental.